Firefly Star Trails

One of my goals last summer was to photograph fireflies/lightning bugs/June bugs.  I've seen examples before online, so it was just a matter of technique.  Of course, photographing fireflies is pretty much out of the question in the New York City area.  If this was going to happen, it was going to happen where I grew up in Maryland.  Despite being plentiful in my backyard, I figured a single 30 second exposure, the maximum a camera will do by itself, would not capture enough fireflies.  Therefore, I would use the same technique from my star trails, take many separate photographs and combine them in post.  I did a test shoot on my first visit in June, manually taking an exposure when I saw a burst of firefly activity.

This was a total of 47 exposures, combined later in Photoshop.  The possibility of star trails didn't even cross my mind when I was taking this, hence the small gaps in the stars.  I processed these photos back home in New Jersey and didn't get another opportunity to  shoot again, until I returned to Maryland a month later.

This time, I only used 39 individual exposures.  Even though the elapsed time is just 11 minutes the stars seem to move a good distance across the sky.  But it's still imperceptible to our eyes.  A firefly will flash in a pattern based on species or activity.  These show up nicely as another type of trail when the exposures are combined.  I found the foreground from my test shot to be distracting, so I went for the silhouette instead.  Now that everything was figured out I tried again, for real.

This time I set up the camera and left it out until morning, while I went back inside to sleep.  This is made up of 177 exposures for a total elapsed time of 1.25 hours.  I tried something new and hid Polaris behind a tree thinking it would be a nice artistic touch.  Well, I was wrong.  Next time it will be fully in my shot.  Aside from that one faux-pas I'm very happy with the result.  The trails are long enough to appear as concentric circles, but they don't take over the sky.  The different firefly patterns are clearly visible.  The guy blinking four times in a row may be from one species while the guy blinking three times may be from another.  Or one is trying to get lucky while the other is trying to find a snack.

I really enjoyed taking these photos and seeing the results once the exposures were combined in Photoshop.  I definitely plan on trying again this year, hopefully in some different locations.  That tree line is becoming boring.

First Attempt at Star Trails

I've always been fascinated by photography that captures motion with streaks of light.  But there is something special about star trails, the ability to turn movement imperceptible to the eye into something beautiful.  Technically, the stars aren't moving of course (well, they are, but not THAT fast).  It's the earth's rotation that makes them move across the sky, which is also why they appear to rotate around Polaris, the north star.  Star trails are perhaps the simplest form of astrophotography, provided you don't live in New York City.  I'm willing to bet we have more streaks of light caused by airplanes than stars.  That would actually be a pretty cool experiment, I'll try that one day.

The equipment for star trails is pretty simple too: camera, intervalometer, tripod, dark skies and software.  In the ancient days of film, i.e. fifteen years ago, you could simply set up the camera, open the shutter and let the film expose for hours.  But, the sensors in today's cameras don't handle being used continuously for hours at a time.  The picture quality degrades and you could probably damage the sensor.  The way around this is to take a series of back-to-back shorter exposure and combine them with post-processing software.  You can either take a large number of shorter exposures, or a smaller number of longer exposures.  The latter is the easiest method, the fewer the files, the less storage and post processing.  That being said, I generally use the former method, because it allows me the opportunity of doing a time-lapse of the stars moving across the sky, if I want.  Two birds, one stone.  Or hundreds of stones, I guess.

Setting up that series of back-to-back exposures is where the intervalometer comes into play.  It is just a device that tells the camera to take N exposures every X seconds, each exposure is Y seconds long.  If I want to track the movement of the stars across a period of 4 hours (14,400 seconds), decide your exposure (4 minutes or 240 seconds), divide to find the number of exposures (60).  In an ideal world, you can set the same time for exposure and interval, but in my experience (with Nikon at least) it's better to set the interval 1 second longer (241 seconds).  Yes, this will result in slightly more than 4 hours, close enough.  Try it with the shorter exposure of 20 seconds, which is what I generally use for star time-lapse.  Holy memory card Batman!!

Before starting, it's best to go into the camera settings and turn off image review.  Without the LCD lighting up after every exposure, the camera will conserve battery power, crucial when it's cold out.  Protect the camera and lens with a plastic bag in case of any surprise rain (uh, check the weather of course) and relax.  So, now the camera will just be doing it's own thing for the next 4 hours.  One thing to watch out for is the condensation that will form on the camera if left out through the morning.  Condensation forms when an object is colder than the surrounding air, which is almost always the case in the morning when air heats up quicker than solid objects.  I found my camera covered in frost after taking the first series of photos because condensation formed and then froze.  Oops.

Now onto post-processing dozens, or hundreds, of images into a star trail.  Make the same general edits to ALL images.  Lightroom is indispensable for this operation.  Then bring them into Photoshop, or similar program, as a layer stack and change the blend mode to lighten.  Ta-da!!  The lighten blend mode examines each pixel and chooses the brightest value from all layers.  Since stars are white, they take "priority" over the darker sky.

I like this image because the stars almost form a funnel leading towards Polaris.  It also shows that Polaris isn't perfectly north, it is also rotating.  All of these images were taken several years ago about 20 miles north of Baltimore, where I grew up.  Just far enough away that a good number of stars are visible, but not far enough away to be rid of the yellowish glow in the sky caused by the city.  Whenever you have a photograph without pleasing colors, turn it B+W!!

A Twelve Hour Difference

One of the advantages of living where I do is getting to see the George Washington Bridge light up at night.  The bridge is beautiful in its own right, but when the towers light up it turns into a triangulated jewel.  I will generally take my photographs from an overlook in the park that runs along the cliffs next to the bridge.  The Port Authority only lights the bridge towers on national holidays, so I try to photograph as many of these occasions as I can.  It seems like they made an exception to celebrate the Super Bowl; the towers were lit and the suspension cables were lit up with Bronco orange and Seahawk green.

I tried my first attempt late Saturday night.  I've taken many pictures from the first overlook in the park, so I hiked further into the forest for a different view.  I found an overlook that had promise, set up my equipment and took a test image.  Seconds after taking my test image, the bridge went dark.  The timing was perfect.  It's as if someone at the Port Authority was playing a cruel joke on me.

The next day after the Super Bowl, I decided to try again, only a bit earlier in the night.  I didn't want to risk coming home empty handed again, so I quickly took a set of photos at the first overlook, my usual vantage point.  I was curious to see if they would change the cable lights to all be the color of the winning team, but they were still half and half.

I walked out to the other overlook from the previous evening, scaring a few deer in the process, and got one set of shots before the bridge lights turned off again!!

The next morning I woke up to six inches of snow on the ground with more falling.  I decided to go do some hiking in the snow, back to the overlook.  Normally I'd crop the trees out, but snowy trees tend to complete winter scenes.  Oh, the difference twelve hours can make.